Tag Archives: Metalcore

*Review* While She Sleeps – The Academy, Dublin 01/05/17

On 1st May 2017, English metalcore band, While She Sleeps, kicked off the month by playing a very long overdue Irish headliner in The Academy in Dublin. They were touring in support of their brand new, independent release, their third album ‘You Are We’.

Fizzy Blood opened the show, while their music may have been a bit out of place for this show, they put on a feverish performance anyways and got a great response from the crowd. They put a lot of effort into trying to win the crowd over and were rewarded with a wall of death during their last song: 6.5/10.

Landscapes, on the other hand, put on an atmospheric and intense performance. While they did not put a lot of effort into trying to win the crowd over, they got a warm response from them. Not a lot of crowd interaction but a decent performance none the less: 6.5/10.

The crowd started chanting While She Sleeps name as their intro started to play. The band’s stage production included swaying light bulbs hanging down from the ceiling. As they took to the stage and kicked off their set with ‘You Are We’ the title track off their new album, the assembled crowd exploded to life for the first time that night, throughout the song people were either jumping along or involved in the massive pit that was taking up most of the crowd, a long overdue headliner indeed. While She Sleeps sounded absolutely massive and continued their set with the crushing sound of ‘Civil Isolation’, with the entire crowd clapping along during its contrasting melodic bridge. Next up was an old favourite ‘Seven Hills’ off the band’s debut album ‘This Is The Six’, triggering the first big sing-a-long of the night, during the song the band’s vocalist, Loz Taylor, climbed into the front of the crowd and screamed the lyrics along with the crowd, an early and big highlight of the night.

Jumbled sound clips played throughout the venue before ‘Brainwashed’, the title track off their second album, kicked in, during which the crowd parted ways for the first massive wall of death of the band’s set. As the intro of ‘Empire of Silence’ started the crowd began clapping and singing ‘woah’ until it kicked in. Another heavy track ‘New World Torture’ followed it, triggering another wall of death. Guitarist and clean vocalist, Mat Welsh, grabbed an acoustic guitar and played the intro of ‘Wide Awake’ with it before being handed back his electric guitar for the rest of the song, the band got a very large circle pit going in the crowd during the song. Loz picked up and put on an Irish flag he was handed and was met with ‘Olé, Olé, Olé’ from the crowd, after which he said that if he had known that, that was what he had to do to get that response from the crowd he would’ve done so earlier in the set. Loz dedicated the next song ‘Our Legacy’ to the entire room, during which he performed a mic swing before climbing onto the crowd.

Next was ‘Feel’, the heavy number got most of the crowd head banging along. Before the band played ‘This Is The Six’, Loz demanded a circle pit around the sound desk, which the crowd gladly obliged with. They ended their main set with another big sing-a-long in the form of recent single ‘Silence Speaks’. As they left the stage the crowd once again began chanting ‘While She Sleeps, While She Sleeps’. The band came back and kicked off their encore with ‘Four Walls’, before which Loz demanded that the crowd light up the whole room and for people to get on each other’s shoulders. The final wall of death of the night happened during ‘Four Walls’ before the band finished their set with ‘Hurricane’ as the entire room erupted for one last time, either singing and screaming along or by getting one last mosh in.

This was a long overdue Irish headliner from one of the most genuine and hardworking bands in the UK scene. While you’d question While She Sleeps setlist focusing on their newer material, the fact is, their new album ‘You Are We’ is their strongest release yet, both on record and live. The band have found the perfect balance between the melodic and heavy sides of their songs, and their live energy is as infectious as it has always been, except now it is even more refined and arguably even stronger. An easy: 10/10.

*Review* Avenged Sevenfold & Disturbed – 3Arena, Dublin 07/01/17

On Saturday 7th January American heavy metal band Avenged Sevenfold returned to Dublin for the first time in just over three years to kick off their ‘The Stage World Tour’, the tour is in support of their seventh album ‘The Stage’ which was released out of the blue back in October. Support on the night came from American heavy metal titans Disturbed.

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Before Disturbed had even taken to the stage the standing area was packed fans who had made sure to turn up early for them, showing that while Disturbed may have been supporting Avenged Sevenfold that night they are still a band with a very large Irish fanbase of their own. They kicked off their set with the title track of their most recent album 2015’s ‘Immortalized’ before going back 15 years and playing ‘The Game’ off their debut album ‘The Sickness’. The first half of their set was mainly material off their first two albums, however, these songs sounded far from perfect live, it was as if the band was warming up while playing them, most notably, the vocals during ‘Stupify’ sounded a lot weaker than you’d expect from a heavier song. Despite how weak the first half appeared to me, the crowd did exactly as vocalist David Draiman told them to, including screaming the ‘fuck’ parts during ‘Stupify’. The first standout performance of the set, their cover of Simon & Garfunkel ‘s ‘The Sound of Silence’, which has been nominated for a Grammy, signalled the turning point in the set. The lighter stripped back performance of such a timeless classic, with acoustic guitars, bongos and keys with the crowd singing along to almost every word with lighters and phones raised high into the sky, was simply breathtaking. It was followed by a strong performance of ‘Inside the Fire’ off 2008’s ‘Indestructible’, complete with pyro, with pyro sticks burning throughout the set and pyro blasts every time Draiman said the ‘fire’. Another standout was ‘The Light’ during which Draiman requested a moment of audience participation, asking them to raise their phones and lighters every time he uttered ‘the light’, which resulted in the 3Arena being lit up beautifully throughout the song.

They finished their set off with increasingly stronger performances of hit after hit; ‘Stricken’, with a perfect vocal performance from Draiman, ‘Indestructible’, with its headbang inducing pace, and ‘Ten Thousand Fists’, with the crowd raising their fists in time to it. The final song of their set was the expected performance of ‘Down with the Sickness’ with a big pyro blast ending, which was followed by the crowd chanting ‘Disturbed’. The band asked for a quick picture, took it, and then Draiman said ‘I hope to see you again soon’ as the band left the stage. Despite being the support act on the night Disturbed played a full headlining set, their stage production included more pyro than I have ever seen a band use live and it did nothing but add to the show. However, they seemed to spend the first half of their set warming up, but the second half of it more than made up for this with hit after hit and plenty of standout moments: 8.5/10.

Prior to Avenged Sevenfold taking to the stage both Elton John’s ‘Rocket Man’ and David Bowie’s ‘Space Oddity’ played out through the venue’s speakers, the start of a theme that the band’s setlist would expand upon. As this was ‘The Stage World Tour’ there was a lot of buzz prior to the show in regards to what the stage setup would be like for them. The central piece of this stage set up was a giant floating cube with screens on the two sides of it that were facing the crowd. There was also three more large rectangle screens on either side of the cube making their way from the back of the stage towards the front of it. The stage itself was a pretty big rectangle with a walkway leading out into the crowd and two holes in it where members of the crowd who had paid for VIP were standing, making them a part of ‘the stage’ and show itself. While the set up was impressive, I couldn’t help but feel a little bit disappointed by it, due to all the recent interviews with the band that I had read prior to the show, I expected there to be more to it.

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The screens flashed white and the band’s deathbat logo appeared on the cube just before the 5 piece made their way to the stage. They kicked off their set with the title track off their latest album, from which the tour takes its name, ‘The Stage’, with vocalist, M. Shadows calling out to the crowd; ‘let me hear you Dublin,’ and hear them he did, as the crowd sang-a-long, showing their dedication to the band, by already knowing all the words to the ambitious 8 and a half minute monster of a track. They followed it up with an early stand-out of the set, ‘Afterlife’ off the band’s self-titled fourth album, with the crowds singing overpowering M. Shadows voice during the chorus, they finished the song to major applause from the crowd. ‘Dublin, how are you doing this evening?’ M. Shadows asked before making a joke about how the band might get given out to if they drink Guinness out of a can. Black and white footage began playing on the screens and the crowd started chanting, as the band started playing the title track off their sixth album ‘Hail to the King’, which was well received by the crowd despite how much the album split fans opinions upon its release back in 2013.  It was followed by the first live performance of ‘Paradigm’ off ‘To The Stage’ with M. Shadows telling the crowd ‘I wanna see a circle pit on this one’. Before playing ‘To End The Rapture’ off the band’s debut album, 2001’s, ‘Sounding the Seventh Trumpet’, M. Shadows said ‘I like this little arena. We are gonna play shit from all the records’. The short song was quickly followed by the heavy sound of ‘Chapter Four’ off their 2nd album ‘Waking The Fallen’.

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A strong performance of ‘Buried Alive’ off 2010’s ‘Nightmare’ was another stand-out of the set with its multiple guitar solos and its powerful outro section. Before ‘Angels’, another debut live performance, the cube started moving towards the crowd while rotating, then began flashing an image of a planet. During the song, which is one of the bands more ‘chilled’ songs, a mosh pit got going in the crowd with M. Shadows saying ‘only in Dublin’. After the song, the cube moved back to the back of the stage. As ‘Nightmare’ kicked off the crowd exploded to life singing the loudest they had so far that night and multiple mosh pits started throughout the crowd, the crowd sang multiple parts of the song on their own with no need for any help from M. Shadows. M. Shadows continued to speak to the crowd saying ‘it is always a pleasure to get over here to Ireland. This will hopefully give promoters more confidence in us so we can do more shows in Ireland. Alright, best show of the tour.’ Before ‘Almost Easy’ he gave a shoutout to Disturbed telling the crowd that ‘they are a big band and that they don’t need to be here with us’.

During the section of ‘Sunny Disposition’ that featured the sound of a siren, M. Shadows used a megaphone instead of his microphone, which was pretty punk and complimented the big, heavy, weird, and long, song perfectly. The band made an interesting choice to play ‘Warmness on the Soul’ as an instrumental. A giant inflatable spaceman, with a skull face and a light up head, exploded out of the back of the stage, as the band started playing ‘Planets’ off before the band finished their main set off with ‘Acid Rain’, both songs being off of ‘Hail to the King’ made them weird choices to finish out the set with. M. Shadows shouted ‘Dublin, Ireland thank you so much for tonight and we’ll see you next time,’ as he left the stage.

Once again the deathbat appeared on all of the screens as the band made their way back onto the stage for the encore. ‘Bat Country’, oddly the only song in the set off ‘City of Evil’, kicked off the encore with the crowd shouting ‘he who makes a beast of himself gets rid of the pain of being a man’ before exploding, the song resulted in the biggest mosh pits of the night and one of the loudest sing-a-longs. M. Shadows gave the band’s former drummer, The Rev, who died in 2009, a shoutout, dedicating the next song to him, before mentioning that his own Dad was at the show, and stating that there was Irish in his family before asking why he can’t grow a better beard. The epic, 8 minutes long, ‘A Little Piece of Heaven’ was the clear standout performance of the night, with The Rev’s haunting vocals playing out through the venue’s speakers seven years after his death, and the clear loudest sing-a-long of the night, with the crowd shouting, singing, and screaming back every single word of the song. The final song of the night was the expected performance of, the heavy, ‘Unholy Confessions’ off ‘Waking the Fallen’, allowing members of the crowd to get one last good mosh in.

While the main set could have been finished off with a stronger song, like the somehow missing performance of ‘Beast and the Harlot’ off ‘City of Evil’, I have to give it to Avenged Sevenfold for putting together a very ambitious stage setup, coupled with a set that covered the band’s entire career, and for easily the best crowd interaction from a band I have ever seen take place in an arena: 9.5/10.

 

 

*Review* Motionless In White (with New Years Day) The Academy, Dublin 14/01/16 (Throwback Thursday Review #1)

Occasionally due to a combination of my college workload, general work, and busy lifestyle, a review is left to the side and forgotten about, in some cases, like this one, they are already half written, the purpose of Throwback Thursday Reviews is to make sure these reviews see the light of day and to give people who did attend these shows a chance to look back at them and reminisce. 

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On Thursday 14th January 2016 American gothic metal/metalcore band Motionless in White‘s ‘Beyond the Barricade‘ tour finally hit up Dublin after being previously postponed back in November 2015 after the Paris terror attacks. Support on the night came from the UK’s Silent Screams and another American band New Years Day. It was the first time Motionless in White had played Ireland since the release of their 3rd album ‘Reincarnate’ and just over two years after their previous headlining show in the venue back in September 2013.

Upon arriving at the venue shortly after doors I was surprised by the huge turnout, from just the size of the large que that was making its way into the venue I knew this would be a far more packed out show than their previous one in the venue.

Silent Screams were first up and truthfully I was not impressed. While I might just be getting too old for the genre, I found their brand of metalcore to be as generic and boring as possible. Unclean vocalist Joel Heywood seemed to be unable to keep up with the pace of the vocals on the tracks and as such a lot of the vocal parts went un-screamed live. Their current single (at the time) ‘Everything Ends’ made an appearance but with added clean vocals that do not appear to be on the version of the song released as a single. Silent Screams are probably just not for me but the moshers in the crowd did seem to react correctly: 6/10.

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New Years Day were up next and opened their set with the industrial tinged sound of ‘Kill or Be Killed’ off their third album ‘Malevolence’, which was released only a few months before the show in October 2015, followed by the ever-catchy ‘I’m No Good’ off 2013’s ‘Victim to Villain’. Later in the set, they played the title track off ‘Malevolence’ live for the first time, during the bridge the other members of the band stood still like statues while vocalist Ashley Costelloe kept singing the lyrics, they sprung back to life as the song kicked back in. ‘Angel Eyes’ was performed next but instead of Chris Motionless coming out to sing his part, as you would expect, they sampled it, clearly not bothered by this the crowd still sang-a-long to the whole track. They finished their set off with ‘Defame Me’. Overall the band is surprisingly strong live, Ashley’s vocals were a little bit lacking at times but she really knows how to work a crowd, and as a unit, they perfectly capture the spirit of 80s LA Strip Glam Rock, just in an updated form: 8/10. I went on to review part of the band’s set during Slam Dunk Birmingham in May 2016, you can check that out by clicking here.

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Motionless in White kicked off their set to the beating sounds of the Korn like ‘Death March’ before keeping the nu-metal influenced theme up with the ode to Slipknot that is ‘Devil’s Night’. The set included a tonne of live rarities, the first we were treated to was ‘Fatal’ off the Deluxe Edition of ‘Infamous’, it’s sound being more like the band’s older sound than their current one, which has made it a fan favorite. ‘Abigail’ the first single released off of ‘Creatures’ their debut album released back in 2010 followed it, before a very rare appearance of ‘Undead Ahead’ off the same album, which was only played a handful of times back in 2011 before being added to the bands set towards the end of 2015. The crowd sang-a-long to every word of ‘A-M-E-R-I-C-A’ off ‘Infamous’ before another rare appearance in the form of the Marilyn Mansionesque ‘Hatef**k’ off the same album. Keeping with the early 00’s nu-metal vibe they covered Linkin Park’s ‘One Step Closer’ next, quite a surprise but fun none the less. Ashley Costelloe came out to perform ‘Contemptress’ with the band. ‘Immaculate Misconception’ moved from its usual spot in the encore to a spot in the main set with the crowd screaming-a-long to its aggressive lyrics. ‘Sinematic’ off ‘Infamous’ was another rare appearance, resulting in the band having played the entire deluxe edition of the album in The Academy’s main room other than one song (‘Burned at Both Ends’). The final rarity included in the set and used to close the main set was ‘Scissorhands (The Last Snow)’ the closing song on ‘Creatures’ and my personal favorite part of the set.

The band ended their set with a quick one-song encore performance of ‘Reincarnate’ the title track off their newest album released back in September 2014, the song is, in my opinion, the accumulation of all the band’s influences and these individual influences were showcased throughout their set, with songs clearly inspired by Korn, Slipknot, Marilyn Mansion, Rob Zombie, Bleeding Through and even a cover of a Linkin Park song.  Motionless in White no longer require as over the top a stage production, as they had the previous time they headlined the venue, to keep a crowd entertained, because Chris Motionless’s vocals clearly have improved in the two years since they had previously played The Academy, and the band is now an even more cohesive unit than before, this combined with a near perfect setlist made up of both hits and live rarities from their back catalogue are why I am giving them: 10/10.

*Review* Bullet For My Valentine (While She Sleeps & Coldrain) Olympia Theatre 29/09/15

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On Tuesday 29th September British metalcore band Bullet For My Valentine returned to Dublin, for the first time since playing The Ambassador in 2008, to play a headlining show in The Olympia Theatre. Support on the night was Japanese alternative rock band Coldrain and fellow British metalcore band While She Sleeps.

I would like to take a brief moment out of this review to thank MCD Productions and The Olympia Theatre for providing us with passes for this show via a small donation to the Christina Noble Children’s Foundation, for more information on the help they provide to children in Vietnam and Mongolia please check out http://www.cncf.org/.

Coldrain took to the stage to a relatively full room for how early it was, kicking things off with ‘The Revelation’ introducing the crowd to their high energy mix of alternative rock and post-hardcore with small hints of nu-metal bounce. The next few tracks were similar, with a sizeable mosh pit kicking off during their 3rd song. The bands energy was contagious with almost all the members jumping around the stage and the bassist constantly spinning around. New track ‘Gone’ changed things up with its plain alternative rock sound, confusing some of the crowd while doing so, it is however a very strong track sounding somewhat like newer Tonight Alive. The set finished on ‘No Escape’ which I found to be relatively lacking live, it would have made more sense to play it earlier in the set. All in all the set felt shorter than it was but a high energy performance overall wins them some praise: 7/10.

While She Sleeps took to the stage next to deafening chants of their bands name, showing just how much their large Dublin fanbase has missed them since they last played here in January 2013 in The Academy, making people wonder when will they be back for their own headlining show? They kicked things off with the title track off their newest album ‘Brainwashed’, which was released earlier this year and the crowd sprang to life. Following it up with the title track off their previous album ‘This Is The Six’ the crowd begun to sing and scream every lyric right back at them. One of their heavier cuts ‘Death Toll’ followed this up increasing the energy of both the band and crowd even more. Frontman Loz Taylor is bundles of energy as usual putting his all into the set, running all over the stage, jumping up and down, screaming at the crowd to get them involved. Before starting ‘Seven Hills’ Loz tells the crowd to get on each others shoulders with a few doing so, during the song he throws himself over the gap between the stage and barrier screaming into the crowd before diving in and getting carried around for about 30 seconds before making his way back to the stage, collapsing and lying on it for about 10 seconds before getting back up and performing a feat of athletic talent by balancing himself on top of the drum kit while continuing to scream the words of the song. All of this which occurred during ‘Seven Hills’ is exactly why While She Sleeps is a band you have to see to understand just how much energy they put into their performances. Playing a couple more off ‘Brainwashed’ they finished the set to a huge applause from the crowd. An easy: 9.5/10.

As it got closer and closer to Bullet For My Valentine‘s stage time the room filled up more and more, by the time they took to the stage it was a packed out house. They kicked things off with ‘No Way Out’ off their new album ‘Venom’ the sound of which is more like ‘The Poison’ instead than recent albums, the new songs fit well into Bullets set which is filled with hits from their back catalogue, thankfully they are now completely ignoring everything off their 4th album 2013s ‘Temper Temper’ which was not well recieved by their fanbase or critics. They followed this up with one their oldest tracks ‘4 Words (To Choke Upon)’ off both their debut EP and ‘The Poison’ which was very well received by the crowd as you would expect. The set continued on with hit after hit with ‘Raising Hell’ into the title track off their 2nd album ‘Scream, Aim, Fire’ into ‘Suffocating Under Words of Sorrow’. Frontman Matt Tuck started off the more ballad like ‘The Last Fight’ on his own before the band joined him after the first chorus. Second guitarist ‘Padge’ got his moment to shine with his own guitar solo later in the set. New addition bassist Jamie Mathias fits in well with the band, show casing that he was in fact a frontman himself in Revoker before joining the band by singing the occasional verse and providing a lot of the screamed vocals live, as such he is a strong addition live in my opinion. Their biggest single ‘Tears Don’t Fall’ seemed like it was about to end their main set, which left me thinking that the set needed just one more older song off ‘The Poison’ or ‘Scream, Aim Fire’, when an even older song makes its first full live appearance in over two years, a cut from their first EP, their debut single ‘Hand of Blood’. As the opening riff kicked in the nostalgia and it sealed my rating for their set: 10/10.

Moose cameback on first for the encore, bright white lights going on around him as he began drumming the intro to ‘Your Betrayal’ as the other members of the band made their way back to the stage one by one, it made for a surprisingly strong encore choice before they finished things up with ‘Waking the Demon’ leaving the crowd still screaming for more.

A high energy crowd and equally as high energy sets from all three acts made this one of the strongest metal shows I have been to all year. Bullet are back and they want you to know it!